Annabelle McEwen, Walking Shadow (transmitter), 2026, etched marble and steel, 44 x 40 x 10 cm,
in FILAMENT, Draw Space, Enmore, Gadigal Land
Annabelle McEwen, Silicone Valley Conductor (anger) and (sadness), 2025,
etched copper, cast silicone frame
24 x 19 x 2 cm (each), in Virtual Gaze at photo access, Canberra, Ngunnawal Land photography by Eunie Kim
Annabelle McEwen, Manoeuvre, 2025, copper plate etchings with aquatint, inked, not printed, 26 x 19 cm
Installation view of Virtual Gaze, photo access, Canberra, Ngunnawal Land, Annabelle McEwen, photography by Eunie Kim
Annabelle McEwen at Sydney Contemporary with The National Art School
(Wall from left to right:)
Corporeal Collapse: Data_ Scan_2, 2023, dye sublimation print on aluminium, 1000 x 1000 mm
Software_Ouroboros, 2023, dye sublimation print on aluminium, 1000 x 1000 mm
Corporeal Collapse: Data_Scan_1, 2023, dye sublimation print on aluminium, 355 × 279 mm
Bio-identifier_3, 2023, dye sublimation print on aluminium, 355 × 279 mm
Corporeal Data Scan_ 1, 2023, dye sublimation print on aluminium, 355 × 279 mm
Augment, 2023, dye sublimation print on aluminium, 355 x 279 mm
Corporeal Data Scan_ 3, 2023, dye sublimation print on aluminium, 355 × 279 mm
Corporeal Data: AR_2, 2023, dye sublimation print on aluminium, 355 × 279 mm
(Floor from left to right:)
Enveloped Form: Corporeal Data_AR, 2023, dye sublimation print on aluminium, 1000 × 500 × 250 mm
Enveloped Form: Reversed Hotlink Composition, 2022, dye sublimation print on aluminium, 1000 × 500 × 250 mm
Photographer: Ruby Blinkhorn
Annabelle McEwen, Walking Shadow (body cam), 2026, expired lithographic crayon on Whenzou rice paper, punctured with eyelets hung on zinc hooks, 38 x 75cm and Annabelle McEwen, Walking Shadow (transmitter), 2026, etched marble and steel, 44 x 40 x 10 cm in FILAMENT at Draw Space, Enmore, Gadigal Land
Annabelle McEwen, BIO-IDENTIFIER_1, 2023, dye sublimation print on aluminium, 35.5cm x 27.9cm x 1.5cm, The National Portrait Gallery, Canberra
Annabelle McEwen, Friction/Fiction (transubstantiation/doppelgänger), 2026, cast cement, acrylic, toner, resin, tactile studs, stained pine wood, 50 x 57cm in Myth Makers, Woollahra Gallery at Redleaf, Woollahra, Gadigal Land and Birrabirragal Land
Annabelle McEwen, Amy Street, 2025, copper plate etching on Hahnemühle, 50 x 50 cm, Sliema, 2026, screen printed acrylic on gallery wall, 100 x 45 cm, Maria Bambina [Gaussian Splat], 2025, screen print on found ceramic tile, 50 x 50 cm in Good Together at Bondi Pavillion, Sydney, Bidiagal, Birrabirragal, and Gadigal Land
Installation view of Virtual Gaze, photo access, Canberra, Ngunnawal Land, Annabelle McEwen, photography by Eunie Kim