Annabelle McEwen | Translation | previous work examples
Annabelle McEwen, Friction/Fiction (transubstantiation/doppelgänger), 2026, cast cement, acrylic, toner, resin, tactile studs, stained pine wood, 50 x 57cm in FILAMENT at Draw Space
Annabelle McEwen, Data Centre (Smile, you’re on camera), 2025,
CMYK screen print animation with recorded data centre hum, displayed
on ipad with privacy screen-protector mounted to welded steel stand, rust
penetrant, copper wire, silicone and plastic bound by screw lock carabiner,
electricity,
122 x 29 x 62 cm
Annabelle McEwen, Data Centre (Smile, you’re on camera), 2025,
CMYK screen print animation with recorded data centre hum, displayed
on ipad with privacy screen-protector mounted to welded steel stand, rust
penetrant, copper wire, silicone and plastic bound by screw lock carabiner,
electricity,
122 x 29 x 62 cm
Annabelle McEwen, Silicone Valley Conductor (anger) and (sadness), 2025,
etched copper, cast silicone frame
24 x 19 x 2 cm (each), in Virtual Gaze at photo access, photography by Eunie Kim
Annabelle McEwen, Hymn to the [extreme] Self, 2024, video, aluminium and polyepoxide relief, polylactic acid and ipad, 255 x 175 x 15 mm
Annabelle McEwen, Manoeuvre, 2025, copper plate etchings with aquatint, inked, not printed, 26 x 19 cm
Annabelle McEwen, Cartographic Collapse: Cross Section, 2024, etched aluminium in polylactic acid frame, 275 x 175 x 15 mm
Annabelle McEwen, Reflected Gesticulation, 2024, aluminium and polyepoxide mounted on aluminium, image transfer on cotton, hand stitched frame, eyelets and twisted shackles, 490 x 425 mm
Annabelle McEwen, BIO-IDENTIFIER_1, 2023, dye sublimation print on aluminium, 35.5cm x 27.9cm x 1.5cm, The National Portrait Gallery, Canberra
Revised Corporeal Scan, 2023-2025, acrylic on dye sublimation print on aluminium, 35.5cm x 27.9cm x 1.5cm (photography Davis Suyasa)
Annabelle McEwen, Self Scan B (photogrammetry), 2023, image transfer on aluminium,250 x 250 mm