Annabelle McEwen
Walking Shadow
Rough Mock-Ups
*Note: I have mocked up different images in each image, because the images will emerge from the performance so I‘m not sure what exactly they will look like yet
Past Work
Annabelle McEwen, Reflected Gesticulation, 2024, aluminium and polyepoxide mounted on aluminium, image transfer on cotton, hand stitched frame, eyelets and twisted shackles, 49 x 42.5 cm
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This work is an example of me exploring similar materials/themes with fabric in the past. It also demonstrates how the aperture in the curtains may look.
Annabelle McEwen, Minerva: Attention (Photogrammetry), 2026, discarded paper pulped and cast, mounted with nails on etched aluminum, 20 x 30 x 5 cm
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This work demonstrates both paper pulp casts as well as the combination of a figurative cast with industrial metal. In Walking Shadow, I would like to use etched aluminum for the server racks to hold the paper pulp cast bodies.
Installation view of Virtual Gaze, photo access, Canberra, Ngunnawal Land, Annabelle McEwen, photography by Eunie Kim
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Example of video work in the past (https://youtube.com/shorts/_p7RwwA34CY?si=Iqa4jiwehFJXrUe_) as well as fulfilling a solo-project interstate.
Annabelle McEwen, Walking Shadow (transmitter), 2026, etched marble and steel, 44 x 40 x 10 cm,
in FILAMENT, Draw Space, Enmore, Gadigal Land
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Example of use of industrial fixtures for work.
Installation view of Virtual Gaze, photo access, Canberra, Ngunnawal Land, Annabelle McEwen, photography by Eunie Kim
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Example of fulfilling a solo-project interstate.
Annabelle McEwen at Sydney Contemporary with The National Art School
(Wall from left to right:)
Corporeal Collapse: Data_ Scan_2, 2023, dye sublimation print on aluminium, 1000 x 1000 mm
Software_Ouroboros, 2023, dye sublimation print on aluminium, 1000 x 1000 mm
Corporeal Collapse: Data_Scan_1, 2023, dye sublimation print on aluminium, 355 × 279 mm
Bio-identifier_3, 2023, dye sublimation print on aluminium, 355 × 279 mm
Corporeal Data Scan_ 1, 2023, dye sublimation print on aluminium, 355 × 279 mm
Augment, 2023, dye sublimation print on aluminium, 355 x 279 mm
Corporeal Data Scan_ 3, 2023, dye sublimation print on aluminium, 355 × 279 mm
Corporeal Data: AR_2, 2023, dye sublimation print on aluminium, 355 × 279 mm
(Floor from left to right:)
Enveloped Form: Corporeal Data_AR, 2023, dye sublimation print on aluminium, 1000 × 500 × 250 mm
Enveloped Form: Reversed Hotlink Composition, 2022, dye sublimation print on aluminium, 1000 × 500 × 250 mm
Photographer: Ruby Blinkhorn
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Example of fulfilling a project with many works within a deadline, as well as sculptural floor works. Annabelle McEwen, BIO-IDENTIFIER_1, 2023, dye sublimation print on aluminium, 35.5cm x 27.9cm x 1.5cm, The National Portrait Gallery, Canberra
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This work is an example of me exploring similar themes in the past.Annabelle McEwen, Friction/Fiction (transubstantiation/doppelgänger), 2026, cast cement, acrylic, toner, resin, tactile studs, stained pine wood, 50 x 57cm in Myth Makers, Woollahra Gallery at Redleaf, Woollahra, Gadigal Land and Birrabirragal Land
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This work is an example of me exploring similar themes in the past.